December 20, 2016 at 12:45PM •
1 hour 32 minutes
This week, we’re starting off with a little about gear, specifically the new Microsoft Surface Studio and the uncertain future of desktop Macs. From there it’s on to David Hockney and a somewhat relativistic view of the “good” of art and whether or not one piece of art is really any better than another. Also, are bigger prints always better? Plus, we take a trip to the Crit Wall. Lori Vrba is our Photographer of the Week.
December 13, 2016 at 12:15PM •
1 hour 21 minutes
This week, we discuss TIME’s Person of the Year cover and portfolio, made by Nadav Kandar. Specifically, we unpack questions raised by the potentially subversive nature of the work and whether or not an artist has a responsibility to art before personal belief. As part of the discussion, we also reference a collection of Dorothea Lange’s previously censored photographs of FDR’s Japanese concentration camps. Jack Davison is our Photographer of the Week.
December 6, 2016 at 11:15AM •
1 hour 39 minutes
This week, details about the OTP Gift Exchange and some of our book suggestions. Also, how would what you make and release into the world — your art — be different if there were negative consequences to showing it? Plus, is it worth it to print all of your photos? Danny Clinch is our Photographer of the Week.
November 29, 2016 at 12:00PM •
1 hour 42 minutes
This week, making decisions. Sometimes moving through fear means letting go of the reigns — emotionally, creatively, maybe even geographically. But once you do, how much control do you actually have to change course? Are you at the whim of inertia, or do small moves open up new territories, whether you want them to or not? Plus, is monetization after the fact different or better than having it as a goal from the beginning? Frederick Sommer is our Photographer of the Week.
November 22, 2016 at 9:30AM •
1 hour 24 minutes
This week, what would you do as an artist without the right to express yourself freely? Do you censor your work or do you use your voice and push harder to make your point of view known? Also, what would you give up creatively in order to immerse yourself in something new? Plus, a couple entries from the Crit Wall. Ruth Gruber is our Photographer of the Week.
November 15, 2016 at 12:00PM •
1 hour 35 minutes
This week, we discuss the recent election not from a political perspective, but rather from the standpoint of making art and how to translate the reactionary energy into something good. Also, what are some differences between good and great street photography? Are there objective markers or is it merely great by degrees? Vicki Dasilva is our Photographer of the Week.
November 8, 2016 at 11:15AM •
1 hour 20 minutes
This week, with the proliferation of low cost gear and the barrier of entry so low, have the mechanics of making become too easy? Also, is there such a thing as “objectively good” and if so, how do you know it when you see it? Plus, has photo software reached the tipping point in terms of features? Jerome Liebling is our Photographer of the Week.
November 1, 2016 at 11:15AM •
1 hour 36 minutes
This week, we’re talking about the ups and downs we go to when we just can’t seem to connect with what we make. How do you keep moving forward when it feels like your wheels are just spinning in the mud. It’s not the feeling of being stuck because energy is still being expended — there’s just the feeling of not moving. Plus, does innovation happen by committee or does there need to be a single vision that the committee then supports? Shin Nogouchi is our Photographer of the Week.
October 26, 2016 at 2:00PM •
1 hour 24 minutes
This week, how do you know — or can you know — when a piece of work will be more than what you thought it would be going into it? Can you predict greatness or is it only available in hindsight? At what point do you call the game if you’re not going to win? Also, a discussion around how appreciating art can often be affected by the room or the way it’s displayed, using the newly reopened East Wing of the National Gallery of Art in DC as an example. Plus, Erin Margaret Allison Rambo is our Photographer of the Week.
October 17, 2016 at 2:30PM •
1 hour 23 minutes
This week, Bob Dylan wins the Nobel Prize for literature and it inspires a discussion around boundaries as they pertain to art and creative pursuits. Does Dylan winning this re-define what qualifies as literature? How does this discussion pertain to photography? Is portraiture more valid than street photography? Is shooting wildlife somehow “better” than shooting weddings? Also, how much does creative efficiency figure into your own creative process? Are you looking for the shortest line between to points or do you prefer the more scenic route? Jonathan Mannion is our Photographer of the Week.